In the wake of a terminated nuclear deal and a nation left demonized once more—we find an appropriate home for Leonardo Magrelli’s endeavor to photograph Iran “under a different, detached and less propagandistic light.” Traditional photographic projects undertaken by the West are often concerned with the extravagant architecture of mosques and palaces—sites ripe for the … Continue reading To Withdraw From Orientalist Photography: Leonardo Magrelli’s Pairidaeza and the Iranian Terrain
For many, mornings under the circumstances of modern capitalism are characterized by the advent of a communal voyage to work—namely, commuting. The sphere of commuting is one in ever-present flux and motion in which time and place become ambiguous. We fall into a state of quasi-death and timelessness once we board the train, as the day only begins once the destination is reached. Del Bascus brilliantly stops time in the journey to and from work—she captures stillness and certainty in a realm that is oft wholly ambiguous.